#Free live grateful dead downloads free#
Its 11,215 free Grateful Dead recordings should keep you busy for some time. Each tape seemed to have its own particular note of decay, like the taste of the barnyard in a wine or a cheese.”ĭo you aspire to join those Paumgarten calls “the tapeheads, the geeks, the throngs of workaday Phil Schaaps, who approach the band’s body of work with the intensity and the attention to detail that one might bring to birding, baseball, or the Talmud”? If so, the internet, and specifically the Internet Archive’s Grateful Dead collection, has cranked the barrier to entry way down. Even the compromised sound quality became a perverse part of the appeal. It was all Grateful Dead, but because of the variability in sonic fidelity, and because the band had been at it for twenty years, there were many different flavors and moods. Before long, you might have a scattershot collection, with a couple of tapes from each year. “If you took an interest, you’d copy a few tapes, listen to those over and over, until they began to make sense, and then copy some more. “It was denser, feverish, otherworldly,” Paumgarten describes his first experience hearing a Dead bootleg. Casual Dead listeners know there exists a large and dedicated body of fervently un-casual Dead listeners, the fans who may have followed the band around on its touring days but now collect every last one of its recorded performances, official, unofficial, or otherwise. Re: 1 ping to c-freedom.Even resolute non-Deadheads have been passing around “ Deadhead,” Nick Paumgarten’s recent New Yorker piece on “the vast recorded legacy of the Grateful Dead.” Like much of the most interesting magazine journalism, the article digs deep into and provides a primer on a subculture that goes deep. Re: TDIH My fav Scarlet Begonias solo 1983ġ ping to c-freedom.
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Re: JULY 4/4 Temptations, Miles, Shocking Blue, & The Grateful Dead JULY 4/4 Temptations, Miles, Shocking Blue, & The Grateful Dead We reserve the ability to withdraw our sanction of non-commercial digital music should circumstances arise that compromise our ability to protect and steward the integrity of our work. This notice should be clearly posted on all sites engaged in this activity. No commercial gain may be sought by websites offering digital files of our music, whether through advertising, exploiting databases compiled from their traffic, or any other means.Īll participants in such digital exchange acknowledge and respect the copyrights of the performers, writers and publishers of the music. Our stipulations regarding digital distribution are merely extensions of those long-standing principles and they are as follow: That a new medium of distribution has arisen - digital audio files being traded over the Internet - does not change our policy in this regard.
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The Grateful Dead and our managing organizations have long encouraged the purely non-commercial exchange of music taped at our concerts and those of our individual members. Here are some examples of currently nonpublic items (list is not comprehensive):, ,, ,, ,, ,, ,, ,, See:Īdditional note on Limitations for this site: Specific items (show dates and/or recording versions) may become unavailable for downloading or streaming here by rights-holder request. Limited Flag: LimSpecial / LimProject / LimShows / LimSBDs / LimRangeġ1/2005 brought a major change to GD material here.